Summary:
- Giuditta Vettese displays a new ceramic sculpture at Le Cavallerizze during Milan Design Week 2026.
- The handmade piece measures 70 centimeters in diameter and holds water to facilitate interactive performances.
- Composer Jacopo Gino programmed a sensor system to convert human movement around the sculpture into audio outputs.
Milan Design Week 2026 hosts a new exhibition by Giuditta Vettese. You will find her latest physical work on display at Le Cavallerizze, located inside the 5VIE District. Vettese titles this specific project "La Fiamma che non Brucia", translating directly to "The Flame Does Not Burn". This installation expands upon her previous material studies. Vettese began this specific trajectory in 2024 by casting a bronze sculpture under the exact same name. She executed the initial phase with logistical backing from Sali e Tabacchi Journal at Fonderia Battaglia.
The 2026 version transitions from metal to a handmade glazed ceramic format. Vettese collaborated with specialized ceramic artisans based in Faenza to construct the object. The completed sculpture measures 70 centimeters in diameter and stands 50 centimeters tall. The piece features a large concentric and concave shape engineered specifically to hold water. Vettese notes water acts as a guarantor of life and serves as a consistent symbol of purification across multiple cultures. The artist incorporates these ancient cultural and religious references to inform her spatial designs. She positions the sculpture as a functional domestic altar within the industrial environment of Le Cavallerizze. The setup provides a designated area for your quiet observation.
Vettese maintains a strong focus on the human body. She treats physical form as a site where material substance and psychic energy intersect. The installation incorporates live performative elements scheduled throughout the duration of the design event. You observe performers interacting directly with the object. These actions highlight the language of objects and how humans rely on physical items for self-construction.
To execute the audio component, Vettese partnered with composer Jacopo Gino. Gino installed and programmed a range of sensors around the piece. This hardware tracks the physical shifts occurring between the ceramic basin, the standing water, and the people moving nearby. The system processes these movements and converts them into an immediate soundscape. Vettese intends for this process to show you how elemental energy shifts states. She uses the paradox of a non-burning flame to represent continuous biological and material regeneration.
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