MIGUEL ADROVER TURNS DOWN ROSALÍA REQUEST OVER PALESTINE STANCE

Via @rosalia.vt

Summary:

• Miguel Adrover declined to create custom designs for Rosalía due to her lack of public support for Palestine
• The designer shared the rejection email on Instagram, stating he won't work with artists who haven't backed Palestine publicly
• Adrover emphasized this reflects his ethical standards rather than personal feelings toward the Spanish singer

Fashion designer Miguel Adrover has sparked widespread discussion after publicly declining a collaboration request from Rosalía's team. The Spanish singer's representatives had approached Adrover to create a custom design, but the designer rejected the proposal based on what he sees as the artist's insufficient public advocacy for Palestine during the Gaza conflict.

Adrover shared his decision on Instagram, posting a screenshot of the rejection email sent to Rosalía's team. The message stated clearly that "Miguel does not work with any artist who has not publicly supported Palestine". This direct approach has drawn attention across fashion and music circles, with many questioning the intersection of political activism and professional relationships in creative industries.

The designer took care to separate his political stance from any personal judgment of Rosalía's work. He acknowledged her artistic achievements and described her as offering "much more" than artists focused solely on "entertainment and shows". Adrover clarified that his refusal stems from principle rather than any negative feelings toward the performer personally.

Central to Adrover's argument is his belief that prominent figures carry social responsibilities that extend beyond their primary roles as entertainers. He pointed to the significant platform that successful artists possess, noting that thousands of people listen when they speak or perform. According to his perspective, this influence creates an obligation to address what he considers urgent humanitarian crises.

The designer's Instagram post concluded with a direct appeal to the artist, writing "Now we have to do 'the right thing,' Motomami" - referencing one of Rosalía's well-known artistic personas while framing his message as a moral imperative.

This incident reflects broader tensions within creative communities about the role of political expression in professional relationships. Some industry figures have faced similar decisions about whether to separate their business practices from their political convictions, particularly regarding international conflicts.

Adrover's public stance raises questions about how artists and designers navigate the balance between personal beliefs and professional opportunities. The fashion industry has seen increasing pressure for public figures to take positions on social and political issues, though responses vary widely among creators and brands.

The rejection also highlights the complex dynamics between Spanish and international artists, as both Adrover and Rosalía have connections to Spain's cultural scene despite working in global markets. Adrover, who has worked extensively in New York's fashion world, brings an international perspective to debates about artist responsibility and political engagement.

Neither Rosalía nor her representatives have responded publicly to Adrover's statements. The singer continues to maintain her typical social media presence without addressing the designer's conditions for potential collaboration.

The incident demonstrates how political conflicts can influence creative partnerships, even when the artists involved operate in different disciplines. Fashion and music collaborations have become increasingly common, making such ethical considerations more relevant for industry professionals.

This situation may influence how other designers and artists approach similar requests, potentially establishing precedents for political requirements in creative collaborations. The public nature of Adrover's rejection suggests he intended his decision to serve as both explanation and advocacy tool.