Summary:
- Photographer Angela Hill shot Gigi Hadid, Dede Mansro, Viola Sharp, and Ju Xiaowen at an Elizabethan country estate for Miu Miu's Holiday 2025 campaign
- The film photography captures aged brick and weathered stone alongside embroidered duchess satin, patchwork shearling, and glittered knitwear
- Footwear ranges from loafers and ballet flats to stretch leather boots, sneakers, and pointed pumps with grosgrain trim
Miu Miu has released its Holiday 2025 campaign through photographer Angela Hill's lens. The shoot takes place at an Elizabethan manor in the English countryside, where Gigi Hadid, Dede Mansro, Viola Sharp, and Ju Xiaowen navigate rooms filled with architectural remnants and historical details.
Hill chose film as her medium. This decision gives the images a texture you notice immediately. The grain of the photographs mirrors the worn surfaces of the estate itself. Old brick walls show their age. Stone surfaces bear marks from centuries of use. These elements frame the models as they move through corridors and chambers.
The location functions as more than backdrop. The manor's structure influences how the clothes appear in each frame. Natural light filters through windows, hitting fabric at angles determined by the building's original design. Shadows fall where they have fallen for hundreds of years.
The collection mixes materials with different weights and finishes. Embroidered duchess satin sits next to patchwork shearling. Glittered knitwear contrasts with bias-cut satin. Stretch georgette takes inspiration from lingerie construction. Each piece responds differently to movement and light.
Miuccia Prada's design approach shows clearly here. The clothes reference both historical dress codes and current fashion sensibilities. Long skirts move like period garments but use modern fabrics. Structured pieces borrow from archive silhouettes while adapting them for present-day wear. The tension between these two directions defines each look.
Footwear spans multiple categories. Loafers and ballet flats offer flat options. Stretch leather boots rise to the knee, matching styles from the brand's fall/winter 2025 runway show. Sneakers provide athletic contrast. Pointed pumps feature grosgrain trim along their profile. This range allows different proportions throughout the campaign.
The models interact with their surroundings in ways you would expect from people exploring an unfamiliar space. They touch walls, peer into rooms, stand in doorways. Their poses suggest discovery rather than display. Hill captures them between moments, not in them.
Color in the campaign comes from both clothing and environment. The muted tones of aged materials contrast with brighter fabric choices. Earth tones dominate the architecture while the collection introduces bolder hues. This creates visual separation between subject and setting without relying on artificial lighting.
The Elizabethan estate brings weight to the images. Buildings from this period carry associations with English history, wealth, and social structure. Miu Miu places its contemporary designs inside this loaded context. The juxtaposition asks viewers to consider how fashion relates to legacy and time.
Hill's film photography adds another layer. Digital capture would produce different results. Film grain, color rendition, and the physical process of shooting on celluloid all contribute to the final aesthetic. The medium reinforces the campaign's interest in material quality and tactile experience.
Each model brings distinct energy to the project. Hadid's presence adds recognition value. Mansro, Sharp, and Xiaowen offer different physical types and expressions. Together they represent a group rather than individuals, exploring the space as a collective.
The campaign positions Miu Miu's holiday collection within a specific visual tradition. Country house photography has a long history in fashion editorial. Hill and the brand work within this tradition while adjusting its terms. The models are visitors, not residents. They wear clothes designed for now, not then.
Architecture and fashion share concerns with form, proportion, and how bodies inhabit space. This campaign makes those connections visible. The manor's rooms dictate where people stand and how they move. Clothing does the same. Both shape behavior through design choices made long before anyone steps inside or puts the garments on.
Kristin Kaye
Insatiably curious about human expression, she immerses herself in literature, theater, art, and dance. Her academic journey led to degrees in Modern Literature, where she delved into The Furioso, and Historical Sciences with a focus on Contemporary History. Her studies took her to the prestigious Erasmus University Rotterdam, broadening her international perspective.
Her passion for culture isn't confined to personal enjoyment—it spills onto the pages of various publications. There, she explores not only artistic endeavors but also civil rights issues and the myriad ways human culture manifests itself. For her, writing about these topics isn't just a profession; it's an irresistible calling that stems from her deep-seated fascination with the human experience.