Japanese artist Ryunosuke Okazaki's new exhibition "Oracle" opens this January at Tang Contemporary Art Hong Kong, exploring themes of spirituality through sculptural works that reference historical Japanese pottery and religious practices.
The Hiroshima-born artist draws from Japan's earliest written chronicles, the Nihon Shoki and Kojiki, to examine how divine messages and prophecies shaped ancient Japanese society. His pieces incorporate the distinctive coiled patterns found in Jomon-period ceramics (14,000-300 BCE), rendered through modern fabrication methods.
Okazaki's background as both an artist and fashion designer influences his approach to materials and form. His sculptures feature repeating spiral motifs and intricate linear patterns that recall both prehistoric pottery techniques and digital design. The works reflect on how traditional crafts can be reinterpreted through a contemporary lens.
The exhibition space is arranged to encourage quiet contemplation, with pieces positioned to create pathways for visitors to move through slowly and deliberately. This layout references Zen Buddhist concepts of mindful movement and meditation.
Having grown up in Hiroshima, Okazaki's work often touches on themes of peace and renewal. In "Oracle", he considers how ancient practices of prayer and meditation remain relevant in today's technology-driven world. The exhibition suggests that despite technological advances, humans continue to seek meaning through spiritual connection.
Exhibition Details:
January 11 - February 19, 2025
Tang Contemporary Art Hong Kong
20/F, Landmark South
39 Yip Kan Street, Wong Chuk Hang
Hong Kong